Sana Okazaki FRSA makes sweets. But not just any sweets. She makes wagashi which are the Rolls Royce of Japanese sweets. On 30th October 2016 she ran a workshop to give us a chance to make (and eat) these special sweets.
20 people gathered that Sunday afternoon at Mannenzan Shourinji Temple – a 400 year old temple rebuilt with award-winning architecture and reopened only 20 days prior to this event – to make a particular kind of wagashi called higashi (a recipe that contains very little moisture and therefore lasts longer).
The session began with a welcome from the temple priest who pointed out that Buddhism, like wagashi, places great importance on the changing seasons. It being autumn, Sanae had prepared wooden moulds and washi (Japanese paper used to package the sweets) with seasonal designs such as maple leaves. Under her guidance we mixed wasanbon sugar with water and then packed the crumbly mixture into the moulds. The delicate sweets are then popped out of the moulds, taking great care not to damage them. We also made our own gift wrap boxes using washi, card and gold string. Along the way we learnt that the wasanbon sugar we used is made exclusively in Japan, using a method dating back to the Edo period (1603-1868) and that wagashi moulds are produced by less than ten remaining mould-makers in the world.
Sitting in the exquisite calm of this newly opened temple, concentrating on the simple but precise actions of mixing, tamping, folding, gluing and tying, we were taken back to the times when things were done with precise and individual care, with an awareness of the seasons and the environment, using the simplest and best ingredients and tools, including the greatest tool of all: the human being, with its hands, eyes, imagination and awareness.
Once the sweets were all made and packed in their little boxes, we sat down to sample our creations, along with matcha green tea expertly prepared by the priest. It was a chance to share our thoughts on the experience of making wagashi. One person was struck by the precision and artistry required within such a simple process. Another commented that the simplicity allowed us to take in more of the total experience, including the architecture of the building and the wind that blew in from outside. I think we all came away not only with a beautiful box of wagashi, but also a sense of the delicious possibilities that come from drawing on the past to invent the new.
At RSA Japan Fellows’ Network, we will not forget that progress comes from honouring both the old and the new.
Many thanks to Sanae for conceiving and creating this unique experience, to the temple for hosting it, and RSA for supporting it.